Alex Matterson is a composer, improviser, and performer located in Victoria BC, Canada. Her music seeks to express an image of a monolithic structure, which up close is full of small details, but from further away, blends into one uniform structure. Her music has also been described as being like “a bird on an oil tanker”. She has completed a bachelor’s degree in Composition and Music theory, where she has studied with Christopher Butterfield, Dr. Anthony Tan, Dr. Taylor Brook, Ajtony Csaba, and Wolf Edwards.

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Musician and researcher from Brasília, residing in São Paulo, studied Musical Composition in the University of Brasilia with Tatiana Catanzaro and Flávio Santos Pereira. Currently persuing a master’s at University of São Paulo, studying with Silvio Ferraz. He has worked as an improviser, composer and arranger with groups of various formations, such as chamber orchestras and big bands, with compositions presented in São Paulo, Brasília, Rio de Janeiro, Bahia, Curitiba, Belo Horizonte, and Porto Alegre. He was a scholarship holder at Musitec 2 – 2nd seminar of music and technology: musical invention and programming environments, with the project “O Espaço Ecoa” (2020). He gave a lecture “Space echoes like an immense tomb: an ecological approach towards telematic improvisation” with Bruno Cunha at the international Open Wide Symposium organized by the FMT society in 2021. He is the founder of the record label and label “Dobradiça Enferrujada Discos, discussed in his latest book “Uncommon Music For the Common Man” by the founder of the British group “AMM”, Edwin Prévost. Artist selected for the 40th and 41st Music Workshop in Curitiba, as well as for the Contemporary Atelier of the São Paulo School of Music in 2024 and for the São Paulo Contemporary Composers Festival of the same year. Researcher and artist selected for the 6th edition of the International Symposium on New Music. Award-winning composer at the Nascente USP Festival 2023 in the classical music category. He has texts on the work of Morton Feldman, Gerard Grisey, and Hugues Dufourt published in magazines like Música (USP) and Vortex (Unespar), and currently translates and writes the preface and afterword of “No Sound Is Innocent,” also by Prévost, to be published by Numa Editora.

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Chang Ge is a composer and pianist, currently a PhD researcher at the Royal Birmingham Conservatoire and completed an MMus in composition at King’s College London. Her music is always inspired by various art forms by presenting gradual changes and she is interested in combining the relationship between music and visual art elements, especially contemporary Chinese visual arts. Her music has been performed by many of the orchestras and ensembles in China, the UK and Malaysia.

Jane Wong is a composer from Hong Kong.  Growing up, her musical exposure came from hymns, Cantonese Opera, Cantopop and erhu.

Ms. Wong is a graduate of the Boston Conservatory Master’s of Music program.  While she was studying, she started working as a ballet pianist for Boston Ballet.  Ms. Wong has composed, arranged and orchestrated multiple pieces for opera companies and theatres.   Her recent chamber opera was performed in Lucca, Italy, in the Puccini International Opera Festival.

Jianing Yang (2004) is interested in using music to create a surreal and twisted experience. She draws inspiration from films & comic, literature & pop-culture, feminism and gender, as well as her experience as a ecology researcher in marine biology, hoping to deliver music in an interdisciplinary form either with literature, multimedia, or scientific deliveries calling for action. She is currently pursuing a BM in Music Composition and BA in Environmental Science at Northwestern University.

Jianing’s works has been premiered by Highscore festival, MATA.Jr program, 15-minutes-of fame, ICEBERG music festival, Chinese Central Conservatory New Music Lab, and has been performed across the United States, Italy, Austria, and China.

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Kunyang He, who is studying composition at Sichuan Conservatory of Music under the guidance of Associate Professor Xiang Ao. He won the first prize of the 18th Student Songwriting Competition of Sichuan Conservatory of Music, participated in the production of original songs and won the gold medal of the “Shan Jian Cup · Singing West China” original song Competition of Huaxi Group, and the second prize in the Composition Ensemble Musical Instrument category of 2023 Russian Gramophone International Music Competition in China (the first prize is vacant). Selected for the 11th St. Petersburg International New Music Festival Composition Master class. He has written, adapted and performed many songs for many performers, singers, choirs and orchestras.

Luo Mengyong began her Bachelor’s degree and studied composition with Professor Xu Shuya and Lu Pei in Shanghai Conservatory of Music (SHCM). In 2015, she became one candidate of Recommended admission free from examinations, got enrolled in the Graduate Department. Now she is studying for her doctoral degree with Professor Lu Pei. During masterclasses, she also has received direct comments on her music by composers such as Tristan Murail, Xiaoyong Chen, Wang Ying, Liza Lim and Keeyong Chong. Her works have won several prizes include: 3rd and 11st Rivers Awards International Composition Competition in Shanghai; 2021 Composer Competition of Franz Schubert Conservatory in Vienna; 2022 International Youth Music Competition in Atlanta and 2nd Ise-Shima International Composition Competition in Japan, and has been performed in China, Germany, and the United States. She also participated in different music projects and festivals including SHCM New Music Week, Shanghai Spring International Music Festival and Foot in the Door Art Festival of Hartford University. An interview and analysis about her work is published on Journal of Music in China. In 2021, she has been selected to the New Music Digital Mentoring Program, which was co-organized with Goethe Institute and Musik Fabrik Ensemble.

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Xinming Shi (born in China) began taking piano lessons at the age of six. In 2020, she was admitted to the Shanghai Conservatory of Music, where she studied composition under Professor Deqing Wen. In July 2021, she successfully hosted a personal music salon in Ningbo, Zhejiang. Her string quartet “Abandoned Space I” won first prize in the Original Composition category at the 2022 UK International Music Competition. “Abandoned Space II” earned the gold prize in the Original Composition category at the 2022 Franz Schubert International Music Competition. “Abandoned Space III” won second prize in the Professional Composition category at the XXI St. Petersburg Spring International Art Competition and was premiered by the Pioneering-Lab Chamber Orchestra in April 2023 at the Opera House of the Shanghai Conservatory of Music. She has also been awarded the Second and Third Prizes of the People’s Scholarship at the Shanghai Conservatory of Music.

I was born in Wuhan China. I started to compose on music sheets when I was 15 years old till now. I graduated from University of Hartford with a Master of Music Degree for Music Composition. Most of my pieces are scored chamber music compositions. I also composed a few of vocal pieces, wind ensemble piece, orchestral piece, and basic electronic pieces. I can also arrange simple music production for accompaniments of the pop styled songs. Now I’m also teaching music theory classes.

Sometimes, I write music with a strong influence of western music theory, and classical, romantic styles. I am also interested in diverse ethnical culture. Thus, I also write music that were influenced from pop, folk music, or (serious) artistical music styles of non-western beauty standard. For serialism, post-tonal, avant-garde, extended instrumental technique, new music, and electronic music, my curiosities started to grow later and slower. However, my mind is open to new music ideas. I’m also trying to make extended instrumental techniques for my composition. I will use extended techniques when I’m conscious about the sound effects. In my opinion, any effect could be good when it adapts into certain piece of music.

My representative pieces of compositions includes “Violin Sonata No.1 (violin & piano)”, “Flute Duet No.1”, Quartet No.1 (version of strings / clarinets), “Organ Prelude”, “Bubble Tea (Saxophone, Trumpet, Piano Trio)”, Flood (piano & clarinet), “Trio For Xun, Harp, and Vibraphone”, Transient Canvas (clarinet & marimba), Nocturne No.1 (Piano Solo), “Ave Maria (acapella 4 voices)”, “Missa in D mode (acapella 4 voice + chime)” Signal From Space (electronic music), “Symphony No.1 (Wind Ensemble)”, Symphony No.2 (full orchestra as double winds).