Oscar Bianchi (Switzerland), Pierluigi Billone (Italy), Raphaël Cendo (France), Klaus Lang (Austria), Sarah Nemtsov (Germany), Sergej Newski (Russia), Stefan Prins (Belgium) and Alexander Radvilovich (Russia) will be among professors conducting the Composition Course.
OpenCalls is a new web project of the reMusik.org Resource Center aimed at finding and highlighting current information about upcoming composers’ competitions, academies, workshops, residencies, and grants around the world in a convenient and modern format.
The Voix Nouvelles Academy is open to composers and performers wishing to hone their skills in the interpretation of the contemporary repertory and presents a rare opportunity to progress under the guidance of world-famous composers and performers.
JOURNAL
Joanna Bailie:
«Photographs form the basis for many of my works»
In an interview with reMusik.org, composer Joanna Bailie answered questions concerning her participation as a teacher in the Online Сomposition Courses and also talked about her love of jazz and working on short films.
Oscar Bianchi:
«For me Russia is still a big mystery»
In his interview with the reMusik.org composer Oscar Bianchi spoke about the music piece Aqba, nel soffio tuo dolce, which performed by Les Percussions de Strasbourg, the children’s perception of his works, and what problems he sees in the field of Russian contemporary music.
EDITION
FESTIVAL
The annual St. Petersburg International New Music Festival is among the main projects through which reMusik.org pursue its mission. The largest festival of new music in Russia takes place at the end of May during a period of famous White Nights in distinguished venues around the city, including the Mariinsky Theatre Concert Hall, the New Stage of the Alexandrinsky Theater, New Holland, the St. Petersburg State Conservatory and others.
The festival is presented by world-famous musicians and well-known ensembles, both classical and experimental ones, specializing in the new music performance. The reMusik.org Festival covers various areas of contemporary academic music – experimental, electro-acoustic, electronic music, multimedia projects, free improvisation and others.
The festival program has numerous educational highlights: master classes, pre-rehearsal talks, scientific conference, composition course, presentations, educational lectures, training lab for music critics, workshops and reading sessions with soloists and several ensembles.
