© reMusik.org

The Saint-Petersburg Contemporary Music Center reMusik.org announces the VI St. Petersburg International New Music Festival «reMusik.org», taking place from May 20th – 26th, 2019.

The festival will be held in distinguished venues around the city, including the Mariinsky Theatre Concert Hall, the New Stage of the Alexandrinsky Theater, St. Ann’s Church, Masterskaya M. K. Anikushina, and the St. Petersburg State Conservatory.

This year’s festival coincides with the famous White Nights Season. Internationally-renowned ensembles will be performing, including: ensemble für neue musik zürich (Switzerland), Garage Ensemble (Germany), Chronos (Cyprus), Ensemble for New Music Tallinn (Estonia), Studio for New Music Ensemble (Russia), Makrokosmos Quartet (Switzerland), and more.

Among this season’s highlights is a new professional training program focusing on the creation and performance of new works by emerging composers. The 20 young resident composers from all over the world are chosen through a portfolio application process. Each resident will write a new piece to be premiered by inviting ensembles at the festival. They will also take part in rehearsals, have composition lessons with guest composers at the festival, and give presentations on their works.

© reMusik.org



The “Issues of Contemporary Music Analysis” International Scientific Conference. The topic of the conference is “Sound Space in New Music”.


By connecting students all over the world to the best professionals and unparalleled networking opportunities, reMusik.org is helping individuals reach their goals.


Observe the art of interpretation and technique as master artists share their knowledge and experience with the next generation.


Each year the reMusik.org invites prominent people to drive debate on new music topics. Lectures are important event and encourages people to enter into dialogue – often about difficult subjects – in order to address the challenges we face today.


The project offers the opportunity to look at new music through the eyes of the music’s authors to hold a discussion with them – not only about the internal musical structures and compositional tools of their works, but about the very process of composing itself.